translations
. o O
Contemporary
innovative Italian poetry
Coordinated
by Sawako Nakayasu
Amelia
Rosselli
Paola Turroni
Giulia Niccolai
Silvia Bortoli
Anna Ruchat
Milli Graffi
Anna Maria Carpi
in conference
(
Papers
from the October 2002 Modernist Studies Association Conference,
University of Wisconsin
Coordinated
by Kathleen Fraser
Resisting
Type: the practice of double identity
Kathleen
Fraser, Resisting Type
Marjorie
Welish, What's Black and White and Read All Over?
Carla
Harryman, The Ear of the Poet in the Mouth of the Performer
Fanny
Howe,
Au Hasard
Carla Harryman
The
Ear of the Poet in the Mouth of the Performer
Networking
Women: Subjects, Places, Links Europe-America,
1890-1939
Marina
Camboni, Networking Women: Toward a Rewriting of Cutural
History
Diana
Collecott, ‘Another Bloomsbury’: Women's
Networks in Literary London during World War One
Gigliola
Sacerdoti Mariani, “Those men and women / Brave,
setting up signals across vast distances”
Renata
Morresi, Networking Women: an Instance
|
=
new
writing =
Coordinated
by Pam Brown
Featuring
work by
Amanda
Stewart
Barbara Brooks
Geraldine McKenzie
Gillian Conoley
Heather Bowlan
Laura Hinton
Rachel Blau DuPlessis
Rachel Loden
Shira Dentz
Virginia Coventry
Virginia Coventry
soundings #12
“The
writers in this section actively take on the position of a lover
besotted by a beloved. And, in each piece, the writers transgress
those lover and beloved relations that serve to underwrite existing
social orders...”
Kevin
Killian, Kylie Minogue and the Ignorance of the West
Dodie
Bellamy, Fat Chance
Christine
Stewart , St. Augustine
^editor's
note ^
In
“Drafts 44: Stretto,” Rachel Blau DuPlessis writes
of a disparity between experience and perception while sounding
a call to poetry's material capacities: “Thought is frightened
/ for it can't think anywhere near the size of what has happened
/ to bring is forth and set it rolling out.” She
continues her exploration of poetical responses and responsibilities
by invoking... [continued]
|
reading/s
Special
feature on American modernist Genevieve Taggard (1894-1948)
Coordinated
by Julia Lisella
Julia
Lisella, Genevieve Taggard As a Rediscovered Modernist:
Some Introductory Comments and The Work
of Lyric Discourse in a Long Poem by Genevieve Taggard
Catherine
Daly, You Can't Prove a Negative: Continuing to
Scan and Reviews of For Eager Lovers
and Hawaiian Hilltop
Nancy
Berke, Lines that Come with Age: American Women
Poets and the Challenge of Midlife: An Excerpt
Alison
J. Van Nyhuis, The Genevieve Taggard Effect: Producing
Poetic Narratives and Literary Misfits
alerts
Short
commentaries on recent publications
Frances
Presley on Noctivagations by Geraldine
Monk
Anne
Jamison on Rossetti in Woolf and Pound
Laura
Hinton on American Women Poets in the 21st
Century eds. Claudia Rankine and Juliana Spahr
Geraldine
McKenzie on Architectural Body by Madeline
Gins and Arakawa
Brian
Teare on We Who Love to Be Astonished
eds. Laura Hinton and Cynthia Hogue
Jane
Sprague on Given by Arielle Greenberg
With
email from:
Meredith
Quartermain, Hazel Smith, Phoebe Stein Davis, Sara Holliday,
Jenny Penberthy, Andrea Baker, Sawako Nakayasu, Kristen
Hanlon, Dee Morris, Steve Dickison, Phil Usher
|