from The Sofa Series For the sake of absolute balance, on one side of the walkway a pink bush, on the other, a white. Her socks match her shirt. On the mantel two candlesticks push out six inches from either wall. Everything's like pieces of desert paper blowing in the wind. The motel disappears, the road already comes undone, and beer cans litter what's left of vacancy. On Saturdays there's no room except the sky. Like a veneer of saranwrap the city lies across a basin waiting to be rolled up, taken to a new set of circumstances and spread out for hoards of people with weapons or without. Everyone prances like ponies, skitters like lizards. No wonder her silver shoes, no matter her silver hair. If the chair doesn't move across polished floors and tables aren't burning with electric pulse, if I can't glide in patent shoes over turquoise tile, why have you brought me here? What reason for such straight lines, such an ill-drawn moon? When the cactus glows at night I'll swim the length and hold my breath until the edge of the sea. Once, in between one belief and another, I thought this town's at the end of all waters. Nobody lives here who isn't already taking notes. Across from her at the counter a cowboy reads a script and she responds with coy laughter. Nothing happens. We take walks. Suddenly the slide. Martha Ronk Lifson read the author's Bio and Working Notes go to this issue's table of contents
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