Beth Bretl

Three Poems

 

Figure Poems

Examination On The Summer Of 2005 When There Was Little Hay To Be Had

Modulations of Voice One

 


 

Figure Poems

 

FIGURE 1: The Real Fabrication Of The Story Of My Life As If It Were Me

 

The Real Fabrication† Of The Story Of My Life‡ As If§ It Were Me

*slur = crow flies

‡ she says, yes, the rain is coming so you will remember

whole and some tilt a corner, spill us out where

§ salvific

† remind me of South Dakota, we pulled off and the clouds so quickly

 

 

FIGURE 2: How It Is I Cannot Say You

 

you say
i say
you say
i said
said you
i am saying
not said
caption
my fated moonlife tricky slopes
like and as if it were and i know
you mistake me lunar and near
i must take you now and wide
here you mismake me then
yes i see you not there when
write me between where i
this space begets moons and
say i
say you
you said
cleft
you said
you were
i say
you say

 

 

FIGURE 3: The Nation-State Moving Successfully Forward

 

hammer
chanson
corm
novena
solstice
radium
lilac
rust

labyrinth
sieve
compote
grits
injury
Terra Haute
absinthe
livery

to note
to rinse
to divvy
to promote
to insist
to inure
to soak
to cinch

olive
throat
chintz
Chevy
shoat
hiss
slurry
spoke

 

(back to top)

 

Examination On The Summer Of 2005 When There Was Little Hay To Be Had

 

Q. in mornings shaving of light
A. this boy’s touch makes the leaves translucent

Q. many reveals personation and narrator
A. once alluded

Q. partita
A. blue you can move across the fingerboard—
A. by string you mean page?

Q. what faculty of body
A. slight willows through an afternoon’s reach
A. show the mind’s center of attention

Q. july 2nd
A. we go to memory

Q. all the real living/
A. scuttle of wings overhead: pantomimic thought

Q. in her dream the bird’s color is lost?
A. the boy again

Q. obsolete
A. afterbirth near the gate

Q. a certain thickness of oppression
A. sky presses!
A. her horse by the white pine

Q. acknowledge an insufficiency
A. we never could
A. there on the cement slab, your hula hoop

 

(back to top)

 

Modulations of Voice One

 

1. Pause

if my hand precedes

itself cited there

against the light

patina of forethought

might you suspend

subsequent

2. Touch

she says if she were

a writer, she would

narrate Monopoly dog’s

life, he would be surprised

by his extensive vocabulary,

say, “Monopoly car’s been

spinning his wheels

all this time”

3. Inflection

grass plots

weighted into darkness

that hours ago

well, that all
slightly

O. shrugs her mind

against a subject

I was just about

 

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Beth Bretl teaches writing and literature at the University of Wisconsin-Milwaukee. Her writing has appeared or is forthcoming in Aufgabe, Free Verse, North American Review and American Book Review. She is currently working on translations and collaborative writing projects.


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