| Vol. 2, No. 2 | Spring 2004 |
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Critical Feature on Leslie Scalapino Coordinated by Laura Hinton Laura Hinton, Zither & (Autobiographical) Introduction: The Writings of Leslie Scalapino Leslie Scalapino, ‘Can’t’ is ‘Night’ Leslie Scalapino, Kathy Acker — Subjectivity, Plagiarism as Autobiography: Disruptive Practice Note by Rob Holloway, Audio Reading of ‘Can’t’ is ‘Night’ Zack, Reflections Since The Present: On Staging Scalapino Elisabeth A. Frost, How Bodies Act: Leslie Scalapino’s Still Performance Jeanne Heuving, Toward a Defense of Formed Content, or Why Leslie Scalapino’s Deer Night Matters Alicia Cohen, “I’m Seeing What We Call Normal Life as Being a Vision”: Visionary Scrutiny in the Work of Leslie Scalapino Camille Martin, Reading the Mind of Events: Leslie Scalapino’s Plural Time An Interview with Leslie Scalapino by Anne Brewster, “We’re always at war”: the Worlding of Writing/Reading Melissa Benham
Susan Johanknecht, List of Illustrations Hazel Smith, the writer, the performer, the program, the madwoman (web version) translations . o O Coordinated by Sawako Nakayasu
Sawako Nakayasu, Introduction Sagawa Chika, Poems translated by Sawako Nakayasu Ema Shôko, Poems translated by Miryam Sas Arai Toyomi, Essay translated by Janine Beichman
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work/book + ^ Coordinated by
Featuring work by Maggie O'Sullivan Writing/Conversation with Dell Olsen all origins are lonely, Maggie O'Sullivan murmur, Maggie O'Sullivan Magie O'Sullivan Publication List = new writing = The Text as a Site of Resistance Coordinated by Frances Presley Tilla Brading by Andrea Baker
^editor's note ^ Collision Leaking Species, by Kate Fagan The phrase "collision leaking species" appears in several panels of Maggie O'Sullivan's provocative work murmur, a sequence of text-based artworks and collages excerpted in this issue's work/book section. As its title suggests, murmur is a graphic and partial account...[continued] in'
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recent publications With email from: Romney Steele,
Sun Yung Shin,
Susan Landers,
Jenny Penberthy,
Hazel Smith,
Phoebe Stein Davis,
Sara Holliday,
Andrea Baker,
Sawako Nakayasu,
Kristen Hanlon,
Dee Morris,
Phil Usher,
Harrison Jeff,
Barbara Guest,
Susan Friedman,
Edward Butscher,
Tatiana Petrovich Njegosh
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Coordinated by Kate Fagan Janet Neigh, Paragraphing Intervals of Night Carla Harryman, The Mother of Us All Marina Morbiducci, “Ida did go in-directly everywhere”: the escaping pervasion of space Mary Ann Caws, Narrative in Escaped Places Mark Byron, “Stein Did That,” and Did That Until It Was Done Michael Farrell, A Pail Of Clover, A Beauty Pageant: The Stein Way Marina Morbiducci, Tendering the Unbuttoning: Translating Stein into Italian Rob Holloway, From PERMIT: Non-Stop Transcribes Michael Farrell, Everybody’s Example: Stein and Memoir
TALKS Series London Coordinated by Hilda Bronstein Hilda Bronstein, Introduction: TALKS Series London Mark Leahy, Tina Darragh: performing the familiar sentence Nicky Marsh, Go Grrrl: The Zine and the PostLiterary Alison Croggon, Specula: Mirrors from the Middle Ages alerts Short
commentaries on recent publications Nicky Marsh On Goan Atom by Caroline Bergvall Linda Kinnahan On The Feminist Avant-Garde in American Poetry by Elisabeth A. Frost Harry Thorne ‘Source Jamming’: On Scratch Sides: Poetry, Documentation, and Image Text Projects by Kristin Prevallet Yerra Sugarman, ‘Being Here’: On Original Green by Patricia Carlin Michael Farrell On Clutch: Including Hockey Love Letters by Sawako Nakayasu Monica Sirignano, ‘Zither and King Lear : Similar Philosophy, Different Text’: On Zither & Autobiography by Leslie Scalapino Vahni Capildeo On Anatomy for the Artist by Sarah Simblet Linda Russo On The Grand Permission: New Writings on Poetics and Motherhood, eds Patricia Dienstfrey and Brenda Hillman, and Red Book in Three Parts by Bernadette Mayer
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