CAROL SNOW
WORKING NOTES
by Carol Snow A new poem, "Uses of Italics" (out in the next Five Fingers Review), tries to explain why the first line of each "Codicil" is italicized: as "musical reference" to the single-line stanzas opening/titling each of Mary Barnard's Sappho translations and (even more obscurely) to the sound of Responsive Readings themselves (or the Pledge of Allegiance, "Happy Birthday," etc.) -- a ragged, "vibrant" entrance until our many variations on assuredness and hesitation settle into one voice. I cannot speak to how often the "News Of" poems have new relevance.
another massacre;
and the clean bright morning. to still that. Suddenly
thinking somewhere in the breath -- along
Too many things
a place on the breath
for each? each passing? for delight -- ) * And another
"massacre of the innocents." And that there is
a form * Breath as
tidal -- ardor... fervor... horror... as moon -- * What comfort? * There was a moment
of blessing, calm.
* "... then what felt like a whirlwind
had risen up little was spared." * News of
the unbearable, happening. Breath saying Now, now.
BIO: Carol Snow's first book, Artist and Model, was a National Poetry Series selection and received the 1990 Poetry Center Book Award. Her second collection, For, will be published by the University of California Press in Spring 2000. Two letterpress chapbooks are available from Em Press; new work is forthcoming in Five Fingers Review, Fourteen Hills, and New American Writing.
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