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HAYDEN'S FERRY REVIEW

SPRING/SUMMER 1991 ISSUE 8

 

Table of Contents

 

origin: 1. that from which we create self. 2. ancestry. 3. the coming into being of art, the artist

 

Fiction

 

William Kittredge
The Coast [25]

A.D. Ross
Jack Bailey's Beach Story [33]

Lianne Elizabeth Mercer
Happily Ever After [42]

Philip Gerard
Night Train to Warsaw [64]

Elizabeth Weiner
Gershom B., a Poet and Scholar [76]

T. M. McNally
The Mill Avenue Bridge [87]

Alberto Alvaro Rios
The Other League of Nations [95]

 

Poetry

 

Rita Hoeflein
Me and Evelyn [29]

Robyn Zappala
Air Worthiness [31]
Reminder [58]
Then Suddenly it Stops [91]

Beckian Fritz Goldberg
Adam [39]
Eve [41]
Backlight [63]

Gary Short
A White Rock [62]
What the Body Knows [92]

Jefferson Adams
Apology from a Small Garden Beside Railroad Tracks [74]

Russell Bahorsky
Green Age [81]

Sheila Nickerson
Returning Home from Work: October [82]

Tracy Trefethen
Baptism [86]

David Williams
Indian School [94]

Edward Falco
God Bless the Child [108]

 

Art

 

John McWilliams
Charleston, South Car0lina [27]
Tate, Georgia [80]

Louis Carlos Bernal
Lynn y Albert Moralas, Silver City, New Mexico, 1978 [38]
Senor Ernesto Villa, Barrio Hollywood, California, 1977 [73]

Sally Mann
Untitled [60]
Untitled [61]

William G. Frederking
From "Facing the Consequences of Our Actions" [93]

Stephen Marc
The fourth Saturday night bridge Club, Chicago, 1987 [106]
Boys Playing Soccer, Ghana, 1988 [107]

 

Interview

 

Barbara Nelson
Wendy White-Ring

Interview with William Kittredge [7]

 

Essay: Artists' Origins

 

Charles Baxter [28]
David Kranes [59]
Rick Bass [83]

Contributors [112]

Hayden's Ferry Review Issue 8 Cover

 

Issue 8 Staff

 

Managing Editor
Salima Keegan

Fiction Editors
Barbara Nelson
Mary Aleta White

Poetry Editors
Mary Gannon
Elizabeth McNeil

Art Editors
Nancy Fewkes
Don Leddick

Contributing Editor
Wendy White-Ring

Editorial Assistants
Michelle Skinner
Kelleen Zubick

Editorial Advisor
Ron Carlson

 

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Poetry Selection – Jefferson Adams, Apology from a Small Garden Beside Railroad Tracks

It is dark here, and my lines
Grow crooked as the untended vines
That have sewn the garden walls
And now threaten the trains.

The trains do pass.
Two directions.
Nothing at all like the garden vines
Or the slow encroaching grass.

There are signals and tables
And the obvious rising of lights.

When trains move over steel rails
Below endless high wire,
There is a measure of power
To capacity. A strong appeal
To the parallel.

The simplicity is deceptive.
Order always decreases.
Let the garden continue,

Everything human needs tending.

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Fiction Selection – Alberto Alvaro Rios, from The Other League of Nations

The crazy people had a convention, people later said, and tried to laugh it off. But it was true.

Without prior advertisement, there took place one day in this town a chance gathering of the left-minded. It was a coincidental meeting of those who were famous in this town, prominent in their human loudness as the oblong fruit of retardation and cruelty, and of laughter. Everybody knew them. But nobody said so.

In this way they were ghosts, some of them. Or perhaps all of them. They were ghosts at very least in that nobody saw them. They had the meat of invisibility. And nobody noticed when they were gone, as they were never there to begin with. It is the trick of small towns.

Today, however, they were all here, recognizable as the single-walkers, those who owned the last four hours of the night. They were the bothersome ones who sometimes knocked on the door, loudly, as if to come home or to ask where lunch was, and who were then shushed away in no particular direction.

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